Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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FERRETTI, Giovanni Domenico
The Rape of Europa d1582g

ID: 06648

FERRETTI, Giovanni Domenico The Rape of Europa d1582g
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FERRETTI, Giovanni Domenico The Rape of Europa d1582g


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FERRETTI, Giovanni Domenico

Italian painter, Florentine school (1692-1747)  Related Paintings of FERRETTI, Giovanni Domenico :. | Cossacks | The Love Embrace of the Universe,The Earth,Diego,me and senor xolotl | Lady Writing a Letter with Her Maid (detail) set | Madonna with Angels Playing Music and Donor | Vekundigung at the Maria |
Related Artists:
haaken gullesons
Ytterlännäs parish, in the province of Ångermanland, belonged to the Archdiocese of Uppsala in the Middle Ages, but has been part of the Diocese of Härnösand since that was formed in 1647. The two churches of he parish, the old one from the early 13th century, and the new one from 1848-1854, are located between the communities of Nyland and Bollstabruk, within Kramfors Municipality. The Ytterlännäs New Church taken into use in 1854 is an example of the style known as a tegnarlada ("Tegnor barn") - spacious, white, clean, neo-classical. The Ytterlännäs Old Church (Ytterlännäs Gamla Kyrka) dates from the 1200s and features medieval vaults, wall-paintings and wooden sculptures, and baroque furnishings including the unusual feature of two galleries; the Ytterlännäs Madonna is regarded by experts as a particularly fine example of the work from the Hälsingland workshop of Haaken Gulleson, all in an excellent state of preservation thanks to the church's being abandoned after 1854.
ESCALANTE, Juan Antonio Frias y
Spanish painter, Madrid school (b. 1633, Cordoba, d. 1670, Madrid)
James Jacques Joseph Tissot
(15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.






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